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ON VIA SAN GREGORIO nineteenth century, the Shrine of

If the iconography St Anne's Metterza is lost through mid-1500, the cult of the saint does not decrease as well as his representations that range and draw on stories of childhood of the virgin, as the statuette placed inside newsstand on Via San Gregory just after the entrance of the 'homonymous church. This is The mother who taught to read the Gospel to young Mary , this issue has its origins in 1700 taken by Giovan Battista Tiepolo , in the work called the Education of the Virgin of 1732 preserved in Venice in the church of Santa Our Lady of Consolation.
The subject was then taken over by simplified statuary craft and played serially. The shrine of St. Anne is completed with the decoration of the wall inside performed by Oriana Bussani . The cloth is painted a landscape with flowers and trees in the background. The shrine in the shape of arch is decorated with clusters of roses and cherubs made of clay and winged invetraiata. The artist who created the pottery could be detected Giulio Francesconi, stylistic proximity of the putti, the decorative quality and consistency with the dates: actually built around thirty years Caesar Basili (there from memory daughter who now 85enne recalls how the shrine was built a few years before of her marriage took place in 1933.
Giulio Francesconi, native of Viareggio, (whose biography was reconstructed by Prof. Cats in his essay and the reference in detail), comes to Civita Castellana after many trips and stays in a variety of Italian and European locations.
returned from France after a brief stop in his hometown and in Rome and a visit to Normandy, he moved to Civita Castellana, driven by the desire to produce works in ceramics. In ceramics and I quote: "the primordial elements francesconi is to tame: the land, water and fire, in a challenge with paroxysmal man."
So much to reflect in this production his psychological anxieties.
The first city commission shall be of a religious statue of the Produce Zuccherini Mons, bishop of the city, and for the church of the Virgin of SS.ma through two life-size plaster statues, Santa Clara and Santa Paula. But the work that most interests us is the bezel kept the Canonica of the Church of San Benedetto.
This bezel is the Madonna and Child with cherubim , polychrome glazed earthenware in the style of Della Robbia, a reworking of the Madonna of the pillow, made in 1495, and preserved in the Bargello in Florence. The work shows how the Renaissance culture has gained in the first trip from the start, and throughout the artist's production, influenced his art.
civitoniche works are all to be included in the late 20's and early 30. to confirm the authorship of the work coming as we have said time and consistency of style. We see that there is obvious similarity between the children, with particular projection of the cheeks, the projection of the forehead and not the least, the high quality of the product.